Launched last Tuesday, the mini-series “Sauver Lisa”, with Caroline Anglade, Cristiana Reali, Victoria Abril, and Déborah François, continues this evening on M6. Did the press appreciate this drama against a background of abuse, adapted from a Japanese fiction?
Worn by a four-star female cast made up of Caroline Anglade (Lebowitz against Lebowitz), Victoria Abril (Tomorrow belongs to us), Cristiana Reali (Clem), Déborah François (The school of life), Olivia Bonamy (Ils), or even the young revelation Capucine Sainson-Fabresse, the Sauver Lisa series continues this evening on M6 with two new episodes.
Directed by Yann Samuell (Children’s Games, Jamais sans toi Louna), this breathtaking six-part drama follows the run of Rose Keller, a teacher who decides to kidnap one of her students, Lisa, a victim of abuse, to protect her. and save his life. Wanted by the police and by the girl’s biological mother, Rose has no other solution than to take refuge with her own adoptive mother. And to confront the wounds of his past.
Already available for several months on Salto, Saving Lisa, which is adapted from the Japanese series Mother, has she managed to convince the critics?
What the press thinks …
According to Le Figaro:
“After a few hiccups, M6 finally delivers a work whose quality is due to the success of its authors in combining drama, thriller and comedy, and to its casting. Cristiana Reali (Diane), Caroline Anglade (Rose), Flore Bonaventura (Garance) , Claudia Bacos (Mélanie), Victoria Abril (Isabel), Déborah François (Julie) and Capucine Sainson-Fabresse, in the role of little Lisa, stick to history and its challenges with a rare naturalness. ” 4/5
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According to Télé Z:
“Caroline Anglade takes her role very seriously and forges a real bond with Capucine Sainson-Fabresse. We are easily convinced by this brilliantly staged escape.” 4/5
According to Le Parisien:
“French adaptation of a Japanese series,” Save Lisa “is not afraid to take detours that are not very credible and sometimes unnecessary. If we still get caught in our nets, it is especially thanks to the fabulous Capucine Sainson -Fabresse, who lends her features to Lisa, and to the well-felt secondary roles. ” 3.5 / 5
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According to Télé 7 jours:
“Once the somewhat sluggish starting premise has been digested (deciding to kidnap an abused child to save her), the M6 series promises a nice family story and raises very current questions on the notions of filiation.” 3.5 / 5
According to Télé Loisirs:
“The story, according to the Japanese fiction Mother, is moving from the outset is totally carried by Caroline Anglade and the young Capucine Sainson-Fabresse, with a remarkable play of naturalness.” 3.5 / 5
According to Télérama:
“The first two episodes of Saving Lisa bode well for a rather breathtaking dramatic thriller. (…) However, many unlikely twists and sometimes too caricature of characters disappoint.” 3/5
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According to Télé Star:
“A laborious melody despite an applied staging.” 1.5 / 5