To help you make your choices, here are the 3 best rated films of the week by the press and viewers on DashFUN! *
THE 3 BEST FILMS ACCORDING TO THE PRESS:
1st: Pig – 3.7 / 5
“Of the particular case of tableware, Pig finally speaks of the disintegration of the human bond, of the death of emotion in the face of cynicism.” By Emmanuelle Spadacenta (CinemaTeaser)
“Unrecognizable as a hairy, hairy hermit, Nicolas Cage, more charismatic than ever, gives strength to Rob’s quiet determination.” By Corinne Renou-Nativel (La Croix)
2nd: The French Dispatch – 3.5 / 5
“The French Dispatch nevertheless looks like a funny hybrid cultural object. Wes Anderson while appearing to leaf through the best stories of an imaginary American weekly, speaks of France through the accounts of exiled reporters.” By Nathalie Chifflet (Latest News from Alsace)
“The American director renews the mythologies on both sides of the Atlantic, between France and the United States.” By Mathieu Macheret (Le Monde)
3rd: The Fracture – 3.4 / 5
“We recognize the director for filming with a certain nervousness this cauldron where a medical emergency drives the other but we can blame her for this obsession to load the boat at this point.” By Françoise Dargent (Le Figaro)
“Catherine Corsini skilfully mixes, with a nice balance, recent social news and bittersweet comedy. A success carried by a great range of actors.” By Fabrice Prieur (a Voir-aLire.com)
THE 3 BEST FILMS ACCORDING TO SPECTATORS:
1st: Last Night in Soho – 4.0 / 5
“Last Night In Soho turns out to be a fascinating perpetuation of Edgar Wright’s reflections, in particular through his play of mirrors with a depersonalizing nostalgia and his polished aesthetic supporting the violence of his background, rich and sad at the same time by his subject.” By Liam Debruel
“Feminist without forcing the line, visually superb and produced with virtuosity, the film, as magical as it is poisonous, mixing giallo, ghost film and even a little Showgirls side (minus nudity), shows us the backdrop of swinging Sixties London via a very interesting double portrait of women. ” By OldBoy
2nd: The Fracture – 3.7 / 5
“What a slap in the face! The Fracture takes us back to the pre-covid era: yellow vests, police violence, precariousness of the public hospital, so well shown by the daily emergency! In addition to being ultra funny and addicting guts, this film should do a lot of good to collective amnesia. ” By Olivier K
“A hymn to the saving and welcome collective, funny and deeply alive against the backdrop of a crazy night in the emergency room, all animated by a generous, jubilant and more than communicative energy.” By Sloughi
3rd: The French Dispatch – 3.6 / 5
“A good clue: you liked ‘The Grand Budapest Hotel’, you will love ‘The French Dispatch’.” By Chris58640
“A real moment of poetry. Very neat and original staging. Very polished dialogues. And above all a host of actors that we enjoy seeing in such special roles. A treat.” By chombe23
* According to the notes of the DashFUN barometer, as of Friday October 29, 2021, for films released in theaters on Wednesday October 27 with at least 10 reviews for the top press and 50 ratings for the top viewers. These two tops do not include films already released one or more times in France.
